Attraction
Wawel Royal Castle
The hilltop residence of Polish kings beside the Vistula, now a museum of state rooms, royal apartments, the Crown Treasury and seasonal gardens.
The Zabłocie factory once run by Oskar Schindler, now a Museum of Kraków exhibition on life in the city under German occupation from 1939 to 1945.
Good to know
Oskar Schindler's Enamel Factory stands in Zabłocie, an old industrial district across the Vistula from Kazimierz. The enamelware business was founded in 1937 by three Jewish entrepreneurs and went bankrupt in 1939, after which Schindler took it over and renamed it Deutsche Emailwarenfabrik. During the war the factory operated as a sub-camp of the Płaszów labour camp, and in 1944 Schindler moved production to Brünnlitz. After the war the site was nationalised in 1946 and used by the Unitra-Telpod company from 1948 until 2002, and the city took it back in 2005.
Despite the name, the museum is not mainly about Schindler. Its permanent exhibition, opened at the site in 2007 and run by the Museum of Kraków, tells the story of the city under German occupation between 1939 and 1945. It follows the experiences of the city's Polish and Jewish residents through the war years, and the history of the factory and its wartime owner forms one strand of a much wider story. The exhibition is detailed and emotionally demanding, so allow at least two hours and do not try to rush it.
Tickets are limited and the museum is busy, especially in summer, so booking ahead matters. Online sales open 90 days before the visit date and close six hours beforehand, and the ticket office sells only for the next available slot on the day, with a maximum of five tickets per person. If online slots look full, the museum notes that the box office may still have tickets. Regular English-language guided tours are available for an extra charge. Monday is listed as a free-admission day, when advance booking is not possible.
Opening hours are 9:00 to 20:00 from Tuesday to Sunday and 10:00 to 15:00 on Mondays, with last entry an hour and a half before closing. The factory is closed on the first Tuesday of the month and on certain public holidays, including 1 and 11 November and 24 to 25 December, so check the museum calendar before you set out. Older children studying the war will gain a great deal, but younger children may find some content upsetting.
The factory is on the south side of the Vistula, within walking distance of Kazimierz across the river. The Museum of Contemporary Art in Kraków, MOCAK, occupies the former workshops in the same complex, so the two museums combine easily in one afternoon.
Tuesday to Sunday 9:00 to 20:00 and Monday 10:00 to 15:00, with last entry ninety minutes before closing. It is closed on the first Tuesday of each month.
Yes, it is advisable. Tickets are limited and go on sale online 90 days ahead; the box office sells only for the next available slot on the day.
Partly. The main exhibition covers Kraków under German occupation from 1939 to 1945, and the factory's own history is one part of it.
Monday is listed as a free-admission day, and tickets cannot be booked in advance for it.
Yes. The museum runs regular English-language tours at a higher ticket price.
At least two hours, as the exhibition is detailed and text-heavy.
Older children studying the period will benefit, but some content may upset younger children.
MOCAK, the Museum of Contemporary Art, is in the same former factory complex in Zabłocie.
Bar
A Kazimierz bar and music club on the corner of Plac Nowy, running since 1999 and known for concerts, including the Kraków Jazz Autumn festival.
Restaurant
A two-Michelin-star restaurant in Kazimierz where chef Przemysław Klima serves seasonal tasting menus that rework Polish dishes, backed by a strong wine list.
Hotel
A five-star boutique hotel in an early 16th-century house on Kanonicza Street below Wawel, the first Polish member of Relais & Châteaux.
Café
A café on Floriańska Street founded in 1895, birthplace of the Green Balloon cabaret, serving house cakes amid a collection of Young Poland art.